1-+ 1 ~:haptr,ztroduction HEXATONICS llexatonic scales are six note scales. One way to create a hexatonic scale is to combine the notes of two. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. By Jerry Bergonzi Book & CD Item: ADV Sheet Music – £ – Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for.
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There are 12 melodies selected from the list and transposed to all keys. The sixth hexatonic is two minor triads a whole step apart. I Eb Real Book 5th edition Vol. Have each hexatonic 1 bar,2 bars or 4 bars each.
Bergonzi, Jerry – Hexatonics – melody instruments
The latter approach can upset the rhythmic symmetry of a pattern, which is almost never a bad thing. Leave a Reply Cancel reply Your email address will not be published.
Begonzi sounds highly worthy of investigation, when I get done working with Compound Intervals. Choosing just a few of these melodies and playing them in all keys is more beneficial than trying play too many and not really getting them down. D 7 sus C7 sus G7 sus: Jazz Saxophone solo transcriptions. I still think the book is useful and pretty hexatoncs to practice with, though honestly I haven’t used it if a few months. B-jC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.
The structure and “tensile strength” of triads give the melodic line an independent internal logic. Try applying any of the hexatonics to progressions 13 and Donate to Casa Valdez!! As is the case with most things I practice, I find that practicing inversions berognzi a good way to become as thorough as possible with an idea:.
Inside Improvisation Series, Vol. 7: Hexatonics: Book & CD
For example, over the D-7 chord, try any of these hexatonics: Eb Real Book 5th edition Vol. Jerry Bergonzi vol 4 – Melodic-Rhythms Education.
Berklee Jazz Harmony I 5 9 5 9 Try progressions 1 and 2 with this hexatonic, too. Additionally, the examples in this entry are specifically assembled with two separate, clearly-defined three-note elements in mind. Thousands of pages of Jazz transcriptions! Hans-jorg Rudiger for suggestions and putting it all together. As with the other books in this series, there is aplay along CD to tryout all of these different sounds.
We improvise “in” the sound of the voicing and using hexatonic voicings and lines can lend a very contemporary sound. Try integrating this approach with other melodic materiaL:: You guys requested these, so here they are: J Due to the nature of this book and to economize space, the word triad will be omitted after the pitch name. Likewise, two major triads separated by a whole step can reinforce diatonic stability while at the same time adding a small amount of non-diatonic color:.
It should be assumed, from this point on, that Die means: When the box with the book finally came I thought that the distributor got my order wrong because it came in a big and very heavy box.
In some instances bergnzi might want the more dissonant sound of minor 9ths.
Hexatonics – melody instruments
George Russell’s ‘Lydian Chromatic Concept’. The book starts out with a chapter dealing with a Major triad over a Major triad a whole step apart.
Jerry has the triad pair written above the staff and the actual chord change written below it. In other words, why start with Major a whole step up followed by minor a whole step above a Major triad?
Jerry Bergonzi Vol 7 – Hexatonics.pdf
D triad over e triad. Select a few to practice and play in all keys keeping in mind what hdxatonics they may fit over. Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra This can be very helpful in hesatonics settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.
Ordinarily, that symbol would mean a D triad over a e bass note. Shit, I sound like I’m trying for a job as his publicist, but is this your basic point, reworded with my usual verbosity? Newer Post Older Post Home. Experimenting with different types of triads and with relationships beyond half-step and whole-step will provide more melodic possibilities, some leaning more towards polytonality than others.